A gallery wall entirely covered in small white paper squares, each individually charred at one edge in a repeating pattern.

1000 pieces of partially burned paper. Assez Loin, Espace cosmopolis, Nantes. 2003

A road sign reading "Paris" with a red diagonal strike-through, carried through the streets of old Bucharest during a performance.

The Paris Project – road sign, documented performance, video, 7’20’’. Bucharest. 2005 – 2006

A hand-drawn plan for a raised planting platform with neon tubes, alongside photographs of young saplings sprouting from cracks in old plaster and brick walls.

Ingrafica Festival. Cuenca, Spain, 2009

Golden Help sign made from golden fragments of various wrappers and boxes.

Artist’s Survival Kit – installation view from solo show at Galerie Jan Dhaese. 2010

Gallery installation with a wall-mounted glowing light box, mirror to fake open door — "Artist's Survival Kit," Galerie Jan Dhaese, 2010.

Artist’s Survival Kit – installation view, Galerie Jan Dhaese. 2010

Interior of a shipping container installation reconstructing a father's room, with cardboard boxes stacked against the wall, a checkered curtain, and a suitcase on the floor — "Cancer Sprouts," Haifa Mediterranean Biennale, 2010.

Cancer Sprouts – installation view, shipping container, cardboard boxes, snapshots, personal objects and documents, video.
Household Goods, Haifa Mediteranean Bienale of Contemporary Art, Haifa, Israel. 2010

Blue wall with a schematic pipe-and-tubing diagram drawn on it, leading to a rainbow-colored vapor cloud, with real red and blue barrels, hoses, and a plant arranged on the floor below — "Dreamcatcher," Brukenthal Museum, 2011.

Blueprint and parts for a vapor-light rainbow machine.
Dreamcatcher, Contemporary Art Gallery of the Brukenthal Museum. 2011

Fluorescent light tubes arranged in angular leaning lines inside a dim, worn interior with wire mesh and exposed brick — "A Support Project," Bucharest, 2012.

A Support Project – Make a Point, Bucharest. 2012

White PVC pipes branching across a gallery ceiling and down a corner wall like a plumbing tree — "Sanitary Installation," Venice Biennale, 2013.

Sanitary Installation – installation views, Reflection Centre for Suspended Histories. An Attempt.
New Gallery of I.R.C.C.U. in the frame of the 55th Edition of the Venice Biennial, curator: Anca Mihulet. 2013

Corner of a room densely packed floor to ceiling with inflated black garbage bags, with a plastic water bottle on the floor — "Trash Bags Installation II," Salonul de Proiecte, 2013.

Trash bags installation II – air pump, network of air tubing, garbage bags.
Global without Globalisation: From Mathematics to China , Salonul de Proiecte, 2013

Red cylindrical cannon-like sculpture mounted on a wheeled cart in a white gallery space — "Sebi is Back," Calina Gallery, Timisoara, 2015.

Sebi is Back – installation view. Calina Gallery, Timisoara, curator Liviana Dan. 2015

Tall wooden tower structure balanced on crossed stilt legs, standing in a white gallery next to a leaning ladder-like wooden frame — "Sebi is Back," Calina Gallery, Timisoara, 2015.

Sebi is Back – installation views. Calina Gallery, Timisoara, curator Liviana Dan. 2015

I Think Better on Good Paper – installation view.
South by South-East, Osage Gallery, Hong Kong, curators: Anca Mihulet, Patrick Flores. 2015

Interactive installation with red plastic bags and floor fans, In the Silent Moment that Followed the Crash, Times Museum Guangzhou, China, 2016

In the Silent Moment that Followed the Crash – South by South-East, Times Museum Guangzhou, China. 2016.
Interactive installation. Floor fans, motion sensors, red plastic bags.

A faint blue light beam scattering through mist inside a dark, exposed-brick attic space.

Rainbow Machine in gallery basement. Part of solo show at Eastwards Prospectus 2017

Structure suspended between two poles using its’ own weight transormed into horisontaly expanding force. 2021

Drawing phisically generated by random rolling mechanism. 2021

Post World Undercover Fake Rock Manufacturing Facility, site-specific installation by Sebastian Moldovan, Art Encounters Biennial, Timișoara, 2023 — view 35 of 41

Post-world Undercover Guerrilla Fake Rock Manufacturing Facility, 2023 – installation views.
My Rhino is not a Myth, Art Encounters Biennial, curators: Adrian Notz, Cristina Stoenescu. Timisoara, Romania

How I Got Here – Recorded performance. Gaep 2021

Plastic Tube Inflated in a Room that It Slowly Fills at MMCA Residency, Changdong, Seoul 2024